Kurt Johnson Limited Edition Monochrome
Gift on Route 66
Limited edition prints are signed, numbered, and printed on museum-quality paper. Each photograph is produced in a single, finite print run. Once sold, the image will not be reproduced. These works are intended for collectors and connoisseurs, offering a rare opportunity to own a piece of Kurt Johnson’s panoramic black-and-white series.
Pricing and more available on request. kurt@kurtjohnsonfineart.com or call: 402-850-6257
On an unplanned walk around a corner, Kurt Johnson encountered a scene that stopped him in his tracks: a functioning roadside motel along Route 66, its retro chairs, picnic tables, and parked car arranged in quiet harmony under the Arizona sun. Nothing was staged. Nothing was altered. The composition simply revealed itself with a brief alignment of objects, light, and time.
Johnson is drawn to these unscripted moments, where everyday Americana becomes unexpectedly cinematic. Photographing with a panoramic camera, he preserves not only the scene, but the feeling of discovery itself with a sense that something ordinary has, for an instant, become extraordinary.
This piece invites the viewer into a lingering pause along the American road.
Hidden Passage
Traveling without agenda through the open landscapes of Arizona, Kurt Johnson noticed what first appeared to be only horizon, cloud, and distant rain. But within the frame, a freight train moved quietly across the bottom of the scene, nearly absorbed into the land itself. Rather than making the subject obvious, Johnson chose a panoramic composition that requires the viewer to look deeper to discover the train as part of the terrain.
This photograph is an exercise in slow seeing. The storm front, the subtle line of tracks, and the distant motion of the train align in a moment that would vanish without patience. Johnson’s approach rewards attention, inviting the collector to live with an image that continues to reveal itself over time.
Printed as a limited edition, this piece captures the rare convergence of weather, movement, and landscape with a fleeting alignment found only by those willing to stop and look.
Where Silence Rests
Traveling through the rural Midwest, Kurt Johnson encountered an old church and its adjoining cemetery, which is a place that immediately felt sacred. The air was still. The sky heavy. The light precise. Stepping carefully into the grounds, he composed the scene with quiet respect, seeking not to intrude, but to witness.
Johnson’s panoramic frame holds the church, the gravestones, and the vast sky in balance, evoking the weight of time and the tenderness of memory. The photograph does not dramatize death; instead, it offers a meditation on presence on the thin space between life, loss, and the enduring landscape that holds both.
Simple Tulips
When weather and landscape refuse cooperation, Kurt Johnson turns inward to the controlled calm of his studio. Here, light can be shaped, movement considered, and time slowed. A simple cluster of tulips, one of his favorite flowers, became the subject of such attention: arranged for gentle flow, accented by a crossing stem at the center, resting against a darkened, old-world backdrop.
Johnson’s intent is not botanical study, but quiet structure and a meditation on form, balance, and restrained elegance. Every curve and shadow is placed with care, yet the photograph retains the softness of something briefly alive, briefly perfect.
Simple Tulips
When weather and landscape refuse cooperation, Kurt Johnson turns inward to the controlled calm of his studio. Here, light can be shaped, movement considered, and time slowed. A simple cluster of tulips, one of his favorite flowers, became the subject of such attention: arranged for gentle flow, accented by a crossing stem at the center, resting against a darkened, old-world backdrop.
Johnson’s intent is not botanical study, but quiet structure and a meditation on form, balance, and restrained elegance. Every curve and shadow is placed with care, yet the photograph retains the softness of something briefly alive, briefly perfect.
Simple Tulips
When weather and landscape refuse cooperation, Kurt Johnson turns inward to the controlled calm of his studio. Here, light can be shaped, movement considered, and time slowed. A simple cluster of tulips, one of his favorite flowers, became the subject of such attention: arranged for gentle flow, accented by a crossing stem at the center, resting against a darkened, old-world backdrop.
Johnson’s intent is not botanical study, but quiet structure and a meditation on form, balance, and restrained elegance. Every curve and shadow is placed with care, yet the photograph retains the softness of something briefly alive, briefly perfect.
Simple Tulips
When weather and landscape refuse cooperation, Kurt Johnson turns inward to the controlled calm of his studio. Here, light can be shaped, movement considered, and time slowed. A simple cluster of tulips, one of his favorite flowers, became the subject of such attention: arranged for gentle flow, accented by a crossing stem at the center, resting against a darkened, old-world backdrop.
Johnson’s intent is not botanical study, but quiet structure and a meditation on form, balance, and restrained elegance. Every curve and shadow is placed with care, yet the photograph retains the softness of something briefly alive, briefly perfect.
Simple Tulips
When weather and landscape refuse cooperation, Kurt Johnson turns inward to the controlled calm of his studio. Here, light can be shaped, movement considered, and time slowed. A simple cluster of tulips, one of his favorite flowers, became the subject of such attention: arranged for gentle flow, accented by a crossing stem at the center, resting against a darkened, old-world backdrop.
Johnson’s intent is not botanical study, but quiet structure and a meditation on form, balance, and restrained elegance. Every curve and shadow is placed with care, yet the photograph retains the softness of something briefly alive, briefly perfect.
Simple Tulips
When weather and landscape refuse cooperation, Kurt Johnson turns inward to the controlled calm of his studio. Here, light can be shaped, movement considered, and time slowed. A simple cluster of tulips, one of his favorite flowers, became the subject of such attention: arranged for gentle flow, accented by a crossing stem at the center, resting against a darkened, old-world backdrop.
Johnson’s intent is not botanical study, but quiet structure and a meditation on form, balance, and restrained elegance. Every curve and shadow is placed with care, yet the photograph retains the softness of something briefly alive, briefly perfect.
Simple Tulips
When weather and landscape refuse cooperation, Kurt Johnson turns inward to the controlled calm of his studio. Here, light can be shaped, movement considered, and time slowed. A simple cluster of tulips, one of his favorite flowers, became the subject of such attention: arranged for gentle flow, accented by a crossing stem at the center, resting against a darkened, old-world backdrop.
Johnson’s intent is not botanical study, but quiet structure and a meditation on form, balance, and restrained elegance. Every curve and shadow is placed with care, yet the photograph retains the softness of something briefly alive, briefly perfect.
